Friday, September 27, 2019

On Paranoia: Narcissism, Guilt, and Cancellation

Each infant is ejected, bloody and unwitting, into a world made of mirrors.

At first the doctor’s hands and mother’s vag are its only indications as to the borders of its own body: “I feel those hands, that vag, so they are not me.” The hospital lights, to its nascent sight, assert clearly, “Outside is light, inside is dark.”

It develops speech in a type of feedback loop which implies crisis: When those to whom it speaks react as it desires, it knows it has expressed what it intended. Thus it learns words, grammatical forms, tones. But what if someone is simply disinterested in helping the infant—that is, when something in its world refuses to act as a good mirror? They react, in this primitive loop, as though it has spoken incorrectly. Faced by a disinterested party, the infant overhauls its speech, perhaps reconstrues its whole social schema…

When it develops the skills necessary to recognize this indifference, what then?

***
A circle of friends: The phrase itself implies a center, one for whom the circle is a reprisal of the infant’s mirror-world. A constant feedback-loop of self-definition, redefinition, constant necessity of status updates. The subject required as center of such a circle is disembodied: Like Piaget’s mirror-stage child, they forget themself as soon as they break out of the circle. The center of the circle thus constantly reaffirms, by remaining central, by considering their friends a “circle,” their own status as partial, as fractured. If each friend relates to the circle in this way—i.e. as a circle—the quality of the circle’s mirrors must be ensured at all costs: One fun-house mirror, one dash of difference between two reflections, and each center crumbles into a crisis of self-definition.

Yes, the fun-house mirror, fun as it may be, is cancelled, sent back to the factory for adjustments.

Kafka’s image of K. as he searches back through his past, determined to prove his own guilt…Image of the softboi who goes into reclusion, earnestly determined to check his privilege: Guilt becomes narcissism, effortful conglomeration of all mirrors both present and remembered in order to justify the present, to save it from nonsense, for nonsense is the ultimate crisis for the partial self, casting doubt on the whole process of self-definition, opening the possibility…

***

Narcissus did not stare at his reflection because he loved it. No, he stared and waited, contorting his face side to side, scrunching and stretching it, expecting that, as his mother had warned, his crossed eyes really would stick like that; and if he saw it happen, if he saw his reflection’s metamorphosis, all his staring would have been justified. He more than any other felt his own partial nature and was certain that, eventually, the unknown would come to fill some gap where a piece was missing, and he wanted to catch it in action.

Not only did he stare, but while he stared he thought back on all his prior moments of staring. He compared each reflection to every other, checking for that change he feared would come; and well it did, just as his stare reached peak intensity.

***

Narcissism: Paranoia turned inward. If Narcissus knew that his face would look the same regardless where it went…If the infant held fast to its words’ proven efficacy, even as they fell on indifferent ears…

To the narcissist, all events transpire in second-person: The ice caps are melting because I eat steak. Racial oppression persists because I take advantage of being white. I was ousted from the circle because I am defective. Yes, all these illustrations use the first-person. Each also implies a mirror.

The guilt implicit in such narcissistic formulations points to a hopelessly far-flung set of self-defining conditions. Not just far-flung, but infinitely-flung: To the narcissist, turned inward in guilt, all the world is a sharply reflective pond.

***

To define oneself based on an endless set of conditions…this is the height of fracturedness. The archetypal bleeding heart is not simply pierced. It bleeds, rather, from each atom.

***

“I am Legion, for we are many”: This is the height of wholeness. We may equate the fractured to the angelic: Every time you ring a bell, an angel gets its wings: The angel is the prototypical narcissist. And who could become more whole than Milton’s Satan, who flew from Hell alone, bridged the Night that divides Hell from earth, and educated Adam and Eve, all while condemned, from the very start, to the most profound of cancellations?

Evil, we may finally conclude, is simply the narcissist’s name for “indifference.” The indifferent ears to which the baby speaks, which cause its crisis of language…The mirror which refuses to reflect…Evil arises as the possibility of nonsense is introduced and is fully achieved when nonsense is confirmed.

***

Satan happens upon Narcissus, who looks up from his pond and asks, “Am I pretty?”

Satan laughs. He does not walk on. He laughs in place, laughs so hard that, eventually, he doubles over, leaving Narcissus to stare into the trees at the image of his laughing mug, floating in ghostly memory.

***

Guilt: Memory is Narcissus’ pond, and the fault must be there, else this present would not be justified by its appointed past, time itself would have lied…

And so to escape guilt, to enter through it into nonsense, is to shed one’s arrogance: How presumptuous to think that so few variables flow with time that their effects can be judged? That the present can be justified? Tasks only befitting a god. So even secular guilt is unmasked as a theological phenomenon: It is the identity crisis of the narcissist who expects themself to be a god.

***

Narcissism on a social scale: Satan laughs. While he’s doubled over, Narcissus drowns. Satan is surely cancelled: He has caused a suicide. For he must have known…

Not only does the narcissist—that is, the one susceptible to guilt—expect themself to be a god, but they presume that they live in a society of like deities. The desperate effort to keep with the times, i.e. the effort not to be cancelled, takes on eternal-scale gravity: Any condemnation is that of a god.

Pascal: “God is that fearful sphere whose center is all places and whose circumference is nowhere.”

Jesus: Hell is to be “cast outside, where there is weeping and gnashing of teeth.”

All events become signs pointing to me…world as mirror, world as runes cast by a Druid…the infant has reached adolescence, sits on a short hill, picking petals, “They love me, they love me not, they love me…”

***

I sit outside a bar in a city in which I know no-one. I understand the language, but it is nevertheless foreign, it falls through my ears as through the blackstrap molasses its speakers have never tasted.

I am reading. The two men beside me begin to laugh. It must be at me, for they think I will not understand them, somehow I give off the air of a foreigner…My eyes refocus mid-sentence, “…the educated, who see little need for such theological questions, are only indifferent because they have adopted religious forms in another guise.”

This work is an indictment to the same degree that it is a series of introspective observations. It is, nevertheless, an indictment rather than a diagnosis. “For all have sinned and fall short...”

***

The whole person, Legion, the Eunuch: Without a doubt the most horrifying presence to such the paranoiac I have described here. Not simply a dysfunctional mirror, but a mirror that may, at any time, show any possible reflection: Recall that time, to the Eunuch, is received in its immeasurable—i.e. non-quantitative—entirety and shat into the next moment as such, and on and on. All is elevated—not reduced, but elevated—to nonsense, the fear of which has driven all the paranoiac movements outlined above. Nonsense, the final shattering of identity, the sickness unto death of the partial self, the demand: Just as one must format a photo to bleed over margins if it is to fill the whole page, so also thee…

It’s funny, in the end: Fear of nonsense drives the paranoiac to erect around themself a circle of mirrors. Their position as center of the circle forces the paranoiac, at every moment, to reaffirm their partial nature—that is, to reaffirm that which makes nonsense a threat in the first place. The only escape from this vicious cycle is nonsense itself…to laugh at the whole big mess until it combusts, and one’s own self along with it.




Wednesday, September 25, 2019

KJZ feat. Kool A.D.: Holographic Rich Girls 2 (Prod. YUNG 5K)

One may not simply post an MP3 file on Blogger; follow this link to the heretofore unreleased track "Holographic Rich Girls 2": 
https://drive.google.com/open?id=0B0C4NNfeUQdwNGxYOXRHYU81M2NhYVJJRWFNMFF0RGV1NTZv

KJZ's Opulence: On "On Love: Hiram, Superposition, and Immolation," by Jean-Paul Fatre

The work to which the following aphorisms respond.
Kevin Jay-Z's groundbreaking 1000-song album, We Found You.

Kevin Jay-Z, also known as KJZ, sits across from me, casually checking one of three gold Rolexes on his wrist. He’s on the phone with Kanye West. I look out at the New York skyline from the hotel penthouse windows.

“Sorry about that, just doing some business” Kevin Jay-Z says. He is wearing a large cloak covered in diamonds that stops just before the ankles. A combination of facial hair and Gucci shades obscures almost all of his handsome features. 

Several months before, I had sent Kevin Jay-Z’s people an email asking to do an interview; three days ago I received a response with a location, place, and time. KJZ’s phone, a yet-to-be-released iPhone 11 Pro Max, vibrates on the table; I can just see the name “Kim K.”

“I’ll get that later, no worries.” KJZ casually turns the phone over, leaning back on the rich leather sofa. I spend the next forty minutes asking KJZ questions, all of which he responds to with a nod or a headshake. Occasionally, women in designer dresses and/or thin lingerie appear from one of the many rooms in the penthouse, peek over, or come up and rub KJZ’s shoulders. He does not seem to notice. Over the speakers, his latest album, We Found You, plays. 

***

In his work “On Love: Hiram, Superposition, and Immolation” Jan Von Stille writes:

“Melt, freeze, melt, freeze: Each is a midpoint: The melting point of any material, at the right pressure, is the same as the freezing point. At any moment that one of the two processes occurs, some part of the material is melted, some part is frozen.” 

In his master-work song “Chain So Fye,” KJZ raps.

“Girls wanna marry me and I be like why, cus my chain so fye.

Why ever freeze in love when you have an infinite calling wrapped around your neck? Why does there need to be a midpoint in a constant fire. The fire, not being passion, care, or penetration, is instead the affluence of my chain. Do not mistake this for an attempt to define love, it is a rebuke of the sentimental categorization of the un-definiable nature of love. For in all the glamor of immolation, be that the immolation of categorization or of reaching a conclusion of the same manner, why do we have to quote Nietzsche, Bataille, Denon? 

***

When asked his opinion on Nietzsche, KJZ responds:

“I like that he went crazy in the last few years of his life. I respect everyone who goes crazy. I do think it’s impossible to know anything. Opinions are baseless and completely circumstantial they don’t interest me at all. This idea informs a lot of my work and why the subject matter is muddy it’s because I don’t believe in any subjects.” 

On album closer “Eleven” he says over dark melody: 

“Some of my happiest moments in life occur around AOL instant messenger I will create a new category on my instant messenger buddy list. I will call it ‘People I like who don’t like me back’ and I will move your screen name into that group, and I will invite you into my house and show you. And you will say, If I don’t like you, why did I come over. And you will look at my face, and I will have an honest answer for your question. I will tell you you came over to be polite.”

Be ready to question the methods presented. If we are rejecting the use of  Nietzsche, Bataille, Denon, why then can we quote Kevin Jay-Z? Do we not owe it to the actual lover to free ourselves of all quotations? To cast aside the looming hand of the idealized gods of knowledge, to instead seek answers in the modern god, the poet in a sports car.  KJZ does not have an idealized love, a love that seeks to be defined or undone. There are no subjects, there are only lists, the movement of a packet of digital space condensed and formatted in a massive database storage unit. No declaration can be made to whether or not love can be set under the microscope. No man can say that love burns the face of the planet until only charred bones remain. Would KJZ accept this as anything but what it rejects, would he place any value in its existence? No! No!

***

“Love permits no definition: No critique may describe its boundaries but that which describes the ever-shifting boundaries of human experience en masse.” -Jan Von Stille

“Love is the action of the philosopher’s stone: The lovers are at once lead and gold and, upon exiting the spiral, can be neither: Love places them on the heights of despair and of joy, which two heights, we may confidently say, are the same summit.”  -Jan Von Stille

All my women simple, all my cars are foriegn, I got issues”- KJZ on “Issues” 

All my diamonds shine just like you” -KJZ on “Hang”

I would never say to you, “I would never say to you.” Jan Von Stille wears the mask of a man who will tell you nothing about love, but he opts to tell you everything he can muster. KJZ wears the mask of the movie viewer, the opulent masses, every new love a clip we will forget about before too long. He reveals to us nothing but that which we already know; in the caviar of our erotic ecstasy is nothing but the ordering of another plate. My women and my cars, my men and my airplanes. When the pendulum of online blog discourse swings back, digs itself out of the all in all out approach, do not be left with your feeble love organ swinging in the breeze. The organ itself may be blessed by Nietszhe, rubbed by Bataiile, but it still belongs to whomsoever it attaches itself firmly. Instead fasten your Rolex around your wrist. When you come upon a beautiful lover, when you are aroused to completion, play the next track. None of these are commands, they are properties. 
***

 “Holographic rich girls, holographic rich girls, got Benz, never had sex, Pac Sun Limited Edish” -KJZ on “Holographic Rich Girls”

“Note that, though the Loved One may differ from their conception, this does not mean that the love itself is not real, or that it is illusory.” -Jan Von Stille

Throwing a dart at two big signs that read “Real” and “Illusory.” I am fucking the hologram: I have had sex with thousands: I am a virgin:  I have never had sex. We are buying the rarest pieces of Brooklyn Streetwear. At 2am we walk out of the club holding the hand of a face. Holographic Rich Girls. At the altar bows the man with a dictionary, when he attempts to enter the hologram he becomes flacid. He will press the button on the display, the contact of his finger on the plastic the only thing that he can allow himself to impress the word “love” upon. Burning the dictionary does not disavow his previous ownership. Holographic Rich Girls. Boy Scouts declare that they have freed themselves from illusion but the tents they live in still allow for masturbation. They are not virgins. We should know better than to watch the sex act with our glasses pulled to our noses declaring which parts constitute reality. Wake up in the morning with no previous memory of the oil baron’s twenty-something heir you finished inside. You have maintained your virginity. Holographic Rich girls. 

***

All winin’, cross country, y’all running, all city, all state, all bank, all winnin’, marathon, jewelry on, all women.” -KJZ on “Cross Country”

I wanna be brand new with you, can I get brand new with you, we could get new.” -KJZ on “Hotel”

“To ask, ‘What is love?’ is to deny the very existence of the constantly ascending summit upon which we seek to burn.” -Jan Von Stille 

We do not need to ascend to a summit when we can be content here on the ground. I buy a new piece of climbing equipment every week for fun. I have jet-packs, ruby-encrusted climbing boots, ropes made of steel. Do not call me a materialist. KJZ runs from New York to LA, he does not have time to hike, he has a private jet that flies overhead. His partners are all the women of America. Writers Google “Nietzsche, What is love?” Nothing needs to be defined or undefined when each encounter is written in a new language. KJZ has a brand new plane for each one of his trips, the lover inside his plane does not have a name. He recognizes her as nothing and she recognizes him as nothing. Where is the ideal in the new? Do not say it is in the newness, as newness too can grow old. Newness is just an accumulation of dollar bills. But we do not stack them into a mountain, we spread them across the planes, fields, as we move. No, there are no mountains to climb at all, only mountains to avoid. 

                          ***

I hit the bitch, holy matrimony.”-KJZ on “Hotel”

Not to mention the sentimentality of it all. One time I ejaculated in the mouth of a woman with curly hair, afterwards she begged me to hit her. I did not spend any time debating. We are married. I have many wives. But is this not love, everything is love!  Maybe I just wanted to brag. The greatest poets of our generation wish that they could receive head in Balenciagas. 

***

Time don’t exist, but this Rolex on my wrist don’t tic.” -KJZ on “Hotel”

“Love is ‘the infinite misunderstanding: That which I love, over which like a lark I cry my joy to the sun, that I should speak of it in demoralizing terms.’” - Jan Von Stille

Raise your fists at me. Say, “you have done what you have spoken out against, is love not the fiery chain, the countless diamonds, the Holographic Rich Girl?” None of these things are anything, they are the shining accumulation of air. KJZ has no idealized love, KJZ has no love to be idealized, KJZ worships no mountain, KJZ has opulence. Jan Von Stille gives a linguistic love, lays it out as he takes it away. KJZ checks his watch because he is bored, he wishes he did not have to read this, and that it was not written, but he is not worried because there is no time. No past and no future, no endless array of dichotomies and anti-dichotomies. There is nothing but the movement of the data packet, the drive from nightclub to home, the jet plane flight from Los Angeles to Dallas, Texas.

                       ***

As I stand up to leave, Kevin Jay-Z does not look at me. “Thank you for your time Mr. Jay-Z,”  I say to him. He swivels his head just a little to look at me, lowering his glasses to the bridge of his nose. “Sorry who are you again?” he asks me, “I don’t do photographs.” He tosses me one of his gold watches casually, replacing it with another one from his pocket. As I try to turn the gift down, he picks up his buzzing phone. “Hey Kim baby,” he murmurs, “What are you wearing?”

Monday, September 23, 2019

Five Poems, by S.M.H.

 The first six poems that S.M.H. added to The Eunuch.
 S.M.H.'s most recent collection, published by Void Front Press.


Knives

I see what you do not see
the offal of the crowd
anointed in black varnish
long knives
scraped on the whet stone
sharp as a hawks beak
black varnish
plyed to the forehead
holding in its absent color
the holy of all holy
we must die
because you would not let us live
this is the day the lord has made
let us rejoice
 and be glad


An Opening

there is an opening
the moment the bull enters the man
belly gored
horn sharp crushing
every gentle organ
there is a moment
the eyes roll backwards
the blood coughs
up the throat
the mans eyes roll
towards the sun
the scream drowns
in the gurgling
in the savage pop of flesh
another world is birthed
spurting
from this wound


Gun

fellate the gun
fellate the barrel of gun
fellate the smooth barrel of gun
fellate the cold barrel of gun
fellate flushed in the suckling
face warmed like a hot plate
face burnt like a turkey
mouth puckered
around the shaft
of black steel cooled
by the shade
of its case
fellate the gun
fellate the big gun
fellate the smooth gun
fellate the cold gun
fellate flushed as rosacea
face flushed with the heat
of the fear
and the hardening
resolve


Spree Shooting


the world will bathe in the pig blood of sense
the sense makers will be hung
by the grate of their throat
by the thunk of their trachea
the sense makers will be hanged
 by the gaps in their bones
 by the trunk of themselves

the sense-makers will be cut will be sliced will be flayed
this is the year of the knives
this is the year of the strange bringers


Spree Shooting 2

apostles to towers
with guns
vultures of sun
black wings bright
in the burn of burns
spat spat
with rifles
spat spat spat
with rifles aimed
bullets chewing flesh
mice
scurrying towards
their bleakness
blood black as the bore of rifle
painting the panel of body
the spat spat
babbling terror
made tissue